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dx love
WOUTER DE MOOR - “DX LOVE EP” (Underbelly Records)
Inc. Remix by: Kris Wadsworth (Get Physical)
DX Love (Original) and Clutter (Original) by: WOUTER DE MOOR (Remote Area)
28th January 2013 – Vinyl - BUY IT NOW
11th February 2013 – Digital, Beatport Exclusive
25th February 2013 – Digital, Worldwide Release
Release/catalogue number:
URWMD005 / URWMV005
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Listen on Soundcloud

 
Underbelly Records return this January with a three track EP from Dutch producer Wouter De Moor, entitled ‘DX Love’ and backed with a remix from Kris Wadsworth. 

Wouter De Moor’s career has been steadily evolving since 2009 with releases on Bla Bla, Remote Area, Trapez and Paco Osuna’s Mindshake. De Moor’s association with these labels has led to a busy touring schedule, taking him across the globe to South Korea, China, Spain, London and the infamous Cocoon Club in Frankfurt. 

Underbelly Records launched in 2011 and the label has already released cuts from the likes of Maya Jane Coles, Alex Arnout, Klartraum, and Matt Tolfrey & Sam Russo.

WOUTER DE MOOR - DX LOVE (KRIS WADSWORTH ZOMBIE SUFER REMIX)

‘DX Love (Kris Wadsworth’s Zombie Surfer Remix)’ opens the EP here and in true Wadsworth fashion embraces a raw, dubbed out Detroit vibe. Punchy drilling beats and underlying twisted melodies drive the track alongside a penetrating arpeggiated bass-line; the result is a moody, peak-time slow bloomer with a touch of class as expected from the Detroit master. 

WOUTER DE MOOR - DX LOVE (ORIGINAL)

Next up is ‘DX Love (Original Mix), embracing a deep, dub-techno feel formed from tantalising frequencies and heavily delayed emotive chords. Weighty drums and a gritty rolling bass-line create the fundamental movement of the track while the melodic elements brilliantly meander around the rock-solid groove.

WOUTER DE MOOR - CLUTTER (ORIGINAL)

To close the release De Moor offers up ‘Clutter’, a groove led percussive track with a progressive feel. Warbling synth lines and sporadic vocal chops creep in and out of the structure alongside an infectious, hooky bass, while subtle filter and chorus modulation is applied intermittently to create an ever-evolving dynamic.

 

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